Circles (May 2025)
The resulting image is projected back onto itself, superimposed onto the raw feed.
The speed of the motor is controlled by the performer via a variable-wattage power supply, giving the illusion of control.
Thank you:
Monteith McCollum
Ben Stone
Brian Gray
Brandon Paterno
BU Cinema Department
Performative Processes Class Spring 2025
Hemi Sync (March 2025)
Drawing inspiration from the research of Dr. Robert Monroe, and from declassified CIA documents on "The Gateway Project", this performance draws on binaural beats and Frequency-Follow-Response (FFR) phenomena as researched by Bob Monroe and appropriated by the CIA circa 1983.
Participants were encouraged to walk around a dark room, with 4 speakers set up in each corner. Two channels would play 2 separate tones, whose frequencies were phased a few Hz apart. This creates the illusion that the sound is "moving" between the ears, in a strong panning effect.
Audience members are exposed first to a frequency delta of 7Hz. inducing a “Alpha-Theta“ brainwave state, and throughout the course of the performance this delta
More information can be found here: https://www.cia.gov/readingroom/docs/cia-rdp96-00788r001700210016-5.pdf
Thank you:
Monteith McCollum
Ben Stone
Brian Gray
BU Cinema Department
Performative Processes Class Spring 2025
ETERNAL CONDUIT: a night of live, collaborative, multi-layered performances in the art of expanded cinema by students in the Binghamton University Department of Cinema.
Phase One: Genesis by:
Amar’e Coakley
Andrew Frangella
Anthony Letta
Derek Ratliff
Read more about this event here.
Thank you:
Tomonari Nishikawa
Monteith McCollum
Ariana Gerstein
Benjamin Stone
Georgie Gentile
Kelly Fancher
BU Cinema Faculty
Expanded Cinema class Fall 2024